By Scott Adlerberg
(Broken River Books, Jan. 8, 2016)
Graveyard Love, Scott Adlerberg’s creepy novel about perversion, lust and obsession, was released shortly after New Year’s this year. It could just as easily have been slated to appear the week of All Hallows’ Eve: Adlerberg’s novel is as nightmarish a tale of conspiracy, murder, abduction and imprisonment as you are likely to run into during the time when ghosts and ghouls walk the earth and human fears come to the fore.
Best yet, except for a pair of eerie dead eyes that seem somehow to be watching the lead character at one point, there is nothing in the book that smacks of the supernatural. The real monsters shrouded within Adlerberg’s intricate plot are thoroughly human – and uniformly repellent to those of us who are more or less normal.
Bad things happen to bad people. That’s what gives the novel its chilling allure.
Kurt, the central character, is a failed writer who lives with his obnoxious, self-absorbed mother in a rural redoubt far from the city.
The mother is a harridan. A chain smoker, she constantly wafts tobacco fumes in Kurt’s face. She insults his ability as a writer, demands his constant attention and radiates hostility and bitterness.
Kurt is supposed to be working on her memoirs, but the task is unfulfilling – and possibly unfulfillable: her demands on his meager skills are voracious and when he is not plunked in front of a computer, banging out her drivel, editing it repeatedly, then throwing away passages and starting from scratch, she insists on keeping minute track of his comings and goings.
Adlerberg unfolds these details at an unhurried pace that makes the reader to feel his entrapment and unhappiness, in a way, forcing his audience to step into the shoes of his main character. This early pacing might drive away some readers, but those who abandon the book because it doesn’t start with a gunfight, brawl or robbery will be missing a sweet payoff later.
|Author Scott Adlerberg: A Fine Grasp of "The Wonder."|
Everything else about Kurt we end up discovering as the novel unfolds: his alcoholism, his predilection for cult horror films, his unseemly past dalliances with women. What is made clear almost immediately, however, is the fact that he is a stalker – and not a cautious one, either.
The object of his current fascination – indeed, the only person who temporarily allows him to escape from his self-imposed confinement and the wretched personality of his mother – is Catherine Embers, a beautiful red-headed woman he has noticed visiting the rambling graveyard across the lane from his mother’s house.
He begins watching for her and following her on her nocturnal visits. He creeps near enough to hear her sobs and moans when she is inside one of the crypts on the grounds and even buys a telescope to facilitate spying on her.
Adlerberg is particularly fine at giving the reader a spine-tingling sense of the thrill Kurt derives from his clandestine espionage, the secret pleasure of violating someone’s personal space without their knowledge.
“Being out in the graveyard to await the arrival of the red-haired woman, this was something new and mysterious,” Adlerberg writes about his stalker protagonist. “I could feel my heart racing. Despite the cold, my armpits were sweating.
“I thought, my investigation, the beginning of my probe into this woman, and saw myself as a detective:
“Report in, Kurt.
“ Two or three times a week the subject comes to the cemetery and visits a grave.
“Any idea why?
“Someone she loves has died. But she never brings flowers. Never brings anything.
“You know which grave?
(To me, this frission is what James Ellroy’s character, Fred Underhill, is talking about in Clandestine when he describes “The Wonder” that makes being a cop such a guilty pleasure. It’s a secret source of joy to anyone who has ever watched someone from hiding or slipped into their home when they are absent, and it is probably one of the primary attractions to those who follow the profession of spy or burglars).
Kurt slowly collects bits and pieces of information about his prey and his obsession with Catherine grows. Eventually he clumsily reveals himself as her admirer, and the plot begins to move more quickly.
Without spoiling the last half of the book, suffice to say that complications follow complications for Kurt and Catherine, and the novel ends with a ghoulish twist that makes it perfect bedtime reading for a stormy winter night when rain spatters the windows in sudden clumps and fingers of wind pull at shutters and shingles.
This review will be that last that I produce for this blog, though I still may post occasional items about work that I have in progress, longer pieces that have been scheduled for publication or other news about my own writings. The fact is, my cancer has left me with only a fraction of my previous energy and I simply no longer have the energy to post frequently in social media, review books for this blog and post write-ups about the things I am reading. Instead I plan to spend what time I have remaining working on my own novels, novellas and short stories and trying to find homes for them.
I will continue to write occasional short – and I do stress, short – reviews at Amazon giving my reaction to hard-boiled and noir work I have read, but do not plan to do so with any regularity. In fact, I have a thick pile of classics such as Nostromo, Crime and Punishment, Moby Dick and The Moonstone that I intend to concentrate on from here on.
So in a way, this is a final goodbye from the "Pulp Hack." I have enjoyed writing this blog and engaging in some give and take with you, my readers, but I need more some space in what’s left of my life and this is one of the easiest places to get it.
Thanks for your readership – and thanks for your many thoughtful comments.